COUNTERCLOCKWISE IN NEW YORK


Standard time lobs a moon
over the window. Silver hairs
scribble in the drain.
The hairdryer, a sirocco
from the Sahara
blows about my head
exhaling hot rose petals.
You shave your stubble
as a meteorologist dangles
rain cloud decals
over New York.
On this Sunday of October,
God moves an hour from evening
to morning.
pulling daylight,
skillfully prying time loose,
with barely a dentist's
small crack of tooth,
without switching yesterday.
As the forecaster instructs,
we fall back
into a gap
our tongues briefly probe
tasting salt and iron, before
filling with bread and jam.
Archangel, you snap a battery
in the smoke detector as I burn
toast and say, "we're safe"
grinning with cherub lips,
winged pink pillows. You hug
the firebug, boogie with cats
that appear to investigate
the hullabaloo. Stooping,
clucking to the night creatures
who lure us back to bed.
Daybreak's back
arcs
over crisp sheets,
meowing in your ear;
rubbing as it passes
counterclockwise.



ETERNITY


From a severed branch,
yellow eyes watch,
ready to choose
which footsteps to heed---
rapt in foreplay
of hunting.
wrapped in camouflage
of near perfection.
What should happen next
never does: strutting
wings extended
to the female.
Dusk menaces
above white breasts
brown banded.
Against bark hardened
by many seasons, amid stumps
of oak and ash, the owl's
hooked-steel beak and claws clutch,
cloaked weapons
against an unattainable lemming.
A mouse scuttles.
A snake coils, gripping its tail.


VOID ON SPRING STREET


Matthias stands below my window
collecting drops of blood from an unidentified source
He is calm about this and requests my opinion on vampires

A passerby laughs and tells how I defected from such colorful rites
Finding comfort, instead, in tears
Which he believes I seek in exchange of words, touch or emotion

Color has no bearing, I remark
As I ponder the ragged edge on my window sill
Wondering if Matthias could use a second source
For his collection below


JAZZ MANOUCHE


It was expected you would close the door,
jazz charging the room like lovers
without inhibition,
winding, pulsing, peaking,
splattering its climax against the door
and along the burgundy walls of your office.

You were writing here.

The warm glow of the fire flushing your cheeks;
my presence yet realized
and I watch, silently, as you rise
and slide the door outward, latching;
muting the notes I chose for you.


IF TODAY WERE LIKE YESTERDAY


A few kisses ago,
I stood beneath the cloudless night sky and your green glint of love;
looking away under the sheen of pink skin,
releasing the reigns of sensibility.

Stars fell behind your back
and I was there to witness them,
though they are but a memory now
behind the fog that burns a path in the sky this time of night.

Later, when my life is through,
my angels will ask me to recall
our time that night under the stars and cover of love
and I shall tell them I kissed the one I hoped to kiss forever.


CANOPIC JAR


Phil Rice, editor
Rethabile Masilo, assoc. editor

CANOPIC Publishing 

The Bookstore

   • Between the Bones
       by Mary Sue Koeppel


   • The View from My
       Ridge

       by Charles E. Rice


   • Guts from the Urn:
      Selected Writings
      from Canopic Jar
      1986-2004

The Juke Jar

Other Places



Previous Online Issues:

CANOPIC JAR #13

CANOPIC JAR #12

CANOPIC JAR #11

CANOPIC JAR #10

CANOPIC JAR #9

CANOPIC JAR N°14 was edited and designed by
Phil Rice (editor@canopicjar.com)
and Rethabile Masilo
(rethabile@canopicjar.com) for Canopic Publishing.

Submissions are now being accepted for CANOPIC JAR N°15, to be published online in the Summer of 2005. Experimental and conventional pieces of any genre are equally welcome, as are graphics that can be submitted via email. Established authors and first-time submitters are encouraged to contribute to the Jar.

Send writing in generic text file, Word, or within an email message. We will respond to all submissions, but the response time may vary greatly (from same day to several weeks, depending on the current events of the editors). Please send any comments, correspondence, inquiries, or submissions to

editor@canopicjar.com

All rights for any work used by CANOPIC JAR are retained by the individual artists. All other contents are © 2005 Canopic Publishing. No items should be borrowed or reproduced in any form without permission of the respective copyright holder.

Canopic Publishing is a small independent press seeking to publish books of superior writing. Query letters are welcome at

publisher@canopicjar.com

For more information, please visit the Canopic Publishing web page.

Contact info:

Canopic Publishing
121 Eliam Rd.
Melrose FL 32666

352/475-5775

CANOPIC
JAR

N°14

Canopic Jar is an organic forum for multi-media expression
with an emphasis on literary efforts.


The Contents of CANOPIC JAR N°14:


Introductory Note


Notes On Contributors


     

The main page of CANOPIC JAR N°14 features artwork by

 Rick Davis

As the images from this page demonstrate, Rick Davis is an artist of extraordinary talent. For more information, please visit his online gallery at www.davisart.com.

 


Read "The Peace Keeper," Phil Rice's editorial essay on Rick Davis.


 






 

Submissions are now being accepted for CANOPIC JAR N°15, to be published online in the Summer of 2005. Experimental and conventional pieces—poetry or short prose of any genre—are equally welcome. Established authors and first-time submitters are encouraged to contribute to the Jar.

Send writing in generic text file, Word, or within an email message. We will respond to all submissions, but the response time may vary from same day to several weeks, depending on the current events of the editor.

Please send any comments, correspondence, inquiries, or submissions to

editor@canopicjar.com


   

CANOPIC JAR is published by CANOPIC Publishing and is edited & designed
by Phil Rice (editor@canopicjar.com)
and Rethabile Masilo (rethabile@canopicjar.com)



All rights for any work used by CANOPIC JAR are retained by the individual artists.
All other contents are © 2005 Canopic Publishing. No items should be borrowed or reproduced in any form without permission of the respective copyright holder.


 

Thanks for visiting, and try to keep it between the lines on your way home.


END