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FIVE POEMS By Rosemarie Crisafi
Every Night Ends
Every night ends small with crickets, with pillows, with a screech owl’s trill in the presence of these spirits Eyelids shut. The windowpanes and walls so mysterious for an instant we ask From where do the shadows come? Which earthly stuff? For who was the darkness intended? We ought to have been included with the evening primrose yellow flowers unfolding with the Luna moth its green phantom wings its round windows and sashes of gold and blue. In her ghostly mode slowly she grows fainter and slowly, slowly rises in an enchanting performance becoming certainty and sacred scared energy.
Trembling in and out of view and dividing into blackened boughs, brightened, diffusing all moonlight; even with the nightmares brought upon us, we survive the hits and misses of dawn linger in the dimness of specters hover in a stupor of dreams until taken into blackness as a train pulls so many cars into a tunnel the forgotten night of each evening is infinite.
Clairvoyant
When I met you I turned into a psychic previous to that I was a financial analyst.
I could predict what was going to happen: Airline accidents sea and land calamities wars and global politics earthquakes and floods I foresaw it all
I wanted to marry you, but knew it was not meant to be. I knew you would make me suffer.
Life was a string of movie trailers in which all the films were disasters.
Does a healthy woman think this way? I should earn points for my honesty.
I stood in the ring of sunlight by my telephone and had a vision: You would call and say it is over. You would say you didn't love me. You would wish me all the best with sincerity.
I suppose now that if I had lacked these mental abilities I would have been a happier person. I was a fine psychic. I foretold the outcome of the presidential election.
I had the power of precognition. One evening I dreamt I drove past my mother’s house and glimpsed a man cutting roses. He is so proud of the bush, he cuts a small bud and drops into a bathtub bursting with tiny blood red blossoms.
The dream never came true. Now I am a bartender.
To Millbrook Mountain
I look for signs: a distinctive stone face a malformed tree or an unusual curve. On the thorny footpath of scrub and cones. red blazes enclose the lake all day and connect blue stones with a yellow trail to the mountain.
Holding the bottle I consider the water. It feels light. Still I check the compass rose note the pose of the sun set the instrument’s housing. Yes, the blade points north
Having done all that I listen to paper wasps and cellophane bees. Their primitive vibrations must be the sounds of the moment, not of forgetfulness but rather the buzzing of one with no memory. I swear I hear the tones of satellites as I climb, as I track the colors.
Here, the carriage way mounts. Glacial rock floats carried by ice, deposited on a shelf far from its Arctic home.
Here, looking west, sometimes the sun clarifies a deep sea of evergreens and at other times, reveals lavender ripples in the cool mirror of Lake Minnewaska;
Today my boots stay dry and dusty on a mat bristling with needles, bulging with roots.
The sky lake is what I wish facts to be: deep, lucid, elegant, entirely reasoned, replenished by rain from the air, by springs and streams coursing as always from the earth. Unpolluted and chaste untouched by the ocean unaffected by its tides’ always fluid and true. Yes, you become clean if you can swim.
The chains of pines have broken. For centuries stunted, they survive in starved soil and high winds outside the ravine. The blackened ones burned alive by thunderbolts. Before rocky talus and mossy bogs they live knotted and twisted near a gathering of giants. Ancient hemlocks meet in a ring of boulders.
Through late afternoon the ravine divides the mountain from Gertrude’s Nose. Sharply the trail ascends as blazes flash between the toxic leaves and pink bell petals of lambkill. The evergreen shrub hides behind polished fruit of black seeded huckleberry.
Under an foliage awning I cross a brook at a power line that comes from nowhere or perhaps from New York City or even from heaven.
The cable enters the hollow, as a long spear falling downward and waits, patient, while a confused hiker accepts the lash and surge of the electric eel
In the west glacial erratics balance near cliff edges. Fractures yawn. From within a crevice a pitch pine grows along an exposed ledge with vertical drops of some hundreds of feet.
The lake evaporates and becomes a legend. It is not a matter of resiliency. I explore unaided propel my feet with care with muscles and senses within the range of my sight far above the ground. On a dangerous crag unpainted rocks preserve evidence of past upheavals: great floods, volcanic cataclysms primeval forests consumed by fires ---proof more lasting than rainwater or trout.
END
Rosemarie Crisafi lives in Wappingers Falls, New York, USA. She works in White Plains, New York for a non-for-profit agency that serves individuals with disabilities. She is interested in literature and films. She enjoys the process of writing poetry. Currently, she has poems published online at Rock Salt Plum, Astropoetica and Experimental Poetry.com. Other poems have been accepted for future publication in Millers Pond, Tin Lustre Mobile, Ancient Paths, Poems Niederngasse and The Carriage House Review.
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